If women are, thanks to the - relative - application of the so-called “law of parity” of June 2000, more numerous than before in the political world, the representations towards them hardly changed. By a kind of paradoxical backlash, the political women of the era of parity are more and more sent back to their traditional social roles (daughters, wives, mothers) and to gender stereotypes. Their bodies, their outfits, their intimate lives are more discussed by the medias than their deeds. This media framing built-up by both the media and the communicators, qualified by Frédérique Matonti as an “Harlequin” framing because it depicts women as emotional beings rather than political strategists, works as an interpretative model: by repeating itself, it contributes to deligitimize women in politics, and beyond, to reproduce the old traditional gender hierarchy. Likewise, men in politics are more and more enclosed in a stereotyped manly image.